Independent Judgment In The Age of Mob Rule
A few days ago, Armond White at National Review published his retrospective assessment of Rob Reiner’s cult favorite comedy, The Princess Bride. His basic take on the movie, which as he notes with disapproval is often affectionately cited by conservatives (i.e., NR writers and readers), is that it lacks both artistic and moral coherence, and owes its enduring popularity to the fact that...